12/28/2023 0 Comments Instal Journey to the West![]() Humanist in its approach to the institution, Shiota’s practice engages the museum not as a singular entity but rather as the container for the community of individuals it houses at any given time. Shiota approaches physical site as an ideological space, a framework wherein her installations explore the relationships between and within the institutional entities that support the production of each work. The artist’s use of red, black, or white yarn to create monochromatic installations tempers the almost cinematic scope of her formal lyricism. Her vast, ephemeral gestures coopt their surrounding architectural space with abstract lines of yarn woven into fantastical landscapes. Matter becomes a pretext for a discussion of the universal nature of subjective experience and the longing that accompanies it. Shiota’s monolithic site-specific landscapes take on questions of time, permanence, presence, and mortality. In what has been a nearly thirty-year practice of formal distillation, the Japanese artist has developed a transcendent conceptual relationship to her materials. The moment people enter my works, I want them to understand what it is to live and what it is to die.Ī veritable alchemist of her medium, Chiharu Shiota has spent the majority of her career extracting a poetic language from a single material: yarn. ![]()
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